Madeleine Moments, Union Pacific, London 3 October–8 November 2025
Group Show with Mohammed Adel, Diana Cepleanu, Sebastián Espejo, Ted Gahl, Mia Kokkoni
"Teodora Nitsolova (b. Bulgaria). Grappling with these apocalyptic days, her layered surfaces build a mystical yet haunting language for the uncanny present; a time when the ‘home’ of cohesive community feels ever more distant. Time is no longer present becomes a triptych for our age, echoing medieval reliquaries dedicated to what is lost but decidedly not forgotten.", Excerpt from the show's press release. Text by Isabella Pensa,
Group Show with Mohammed Adel, Diana Cepleanu, Sebastián Espejo, Ted Gahl, Mia Kokkoni
"Teodora Nitsolova (b. Bulgaria). Grappling with these apocalyptic days, her layered surfaces build a mystical yet haunting language for the uncanny present; a time when the ‘home’ of cohesive community feels ever more distant. Time is no longer present becomes a triptych for our age, echoing medieval reliquaries dedicated to what is lost but decidedly not forgotten.", Excerpt from the show's press release. Text by Isabella Pensa,
Slade School of Fine Art MA/MFA Degree Show,
14-24 June 2025, London
Studio 24
Title Entrances or Exits
14-24 June 2025, London
Studio 24
Title Entrances or Exits
Forever/Never
Pigment, Pencil, Acrylic,
Black Muslin Cotton, Canvas, Black Steel 200 x 230 cm x 30cm
Slade Postgraduate
Painting Group Show Titled “What we do do does”, London UK
April 2025
"A knot, a tunnel"
Acrylic, Pigment, Rust, Bleach,
Cotton Muslin, Wax, Hand Forged Black Steel
200x60x30 cm
"This is Where it Hurts"
2024
Acrylic, Marble Dust, Hand Forged Black Steel, Copper Leaf, Nails
25 x 21.cm
Site responsive Installation for the group show titled “Moving Principle”,
Arusha gallery, London UK, 2025
Acrylic, Pigment, Rust, Bleach,
Cotton Muslin, Wax, Hand Forged Black Steel
200x60x30 cm
"This is Where it Hurts"
2024
Acrylic, Marble Dust, Hand Forged Black Steel, Copper Leaf, Nails
25 x 21.cm
Site responsive Installation for the group show titled “Moving Principle”,
Arusha gallery, London UK, 2025
"It felt like the air turned into water"
Distemper, graphite powder, pencil, acrylic, emulsion paint, hand forged black steel, copper leaf
Slade School of Fine Art Interim Showcase 10/12 December 2024
Distemper, graphite powder, pencil, acrylic, emulsion paint, hand forged black steel, copper leaf
Slade School of Fine Art Interim Showcase 10/12 December 2024
“The Corridor”
The Show in The Attic
A site-responsive project created in an Attic Space before demolition
Materials: Pigment, Wall Paint, Charcoal, Pencil, Graphite Powder, Red Yarn, Black Steal
June 2024, London
The Show in The Attic
A site-responsive project created in an Attic Space before demolition
Materials: Pigment, Wall Paint, Charcoal, Pencil, Graphite Powder, Red Yarn, Black Steal
June 2024, London
“And we who had been catching water
dripping through stone
in the homes we dug
out of the earth
we licked our long teeth clean
and set to work.”
Titled after a stanza from the poem “If You’re Going to Look Like a Wolf They Have to Love You More Than They Fear You” by Abigail Chabitnoy
Liquitex and Slade School Of Fine Arts Wall Painting Collaboration Project at the Slade graduate studios in Woburn Square
Materials: Distemper, Charcoal, Soil, Pencil and Acrylic
June 2024
dripping through stone
in the homes we dug
out of the earth
we licked our long teeth clean
and set to work.”
Titled after a stanza from the poem “If You’re Going to Look Like a Wolf They Have to Love You More Than They Fear You” by Abigail Chabitnoy
Liquitex and Slade School Of Fine Arts Wall Painting Collaboration Project at the Slade graduate studios in Woburn Square
Materials: Distemper, Charcoal, Soil, Pencil and Acrylic
June 2024
